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Video Editing & Production

Legal Range and Broadcast-Safe Levels: What Actually Works

The range of video levels allowed for broadcast and many deliveries, where black and white sit at defined code values rather than the full numeric range.

Tomas Lindqvist Post-Production Lead 2 min read 20 views
Legal Range and Broadcast-Safe Levels: What Actually Works

At a glance

  • 8-bit legal range black at 16 and white at 235 for luma
  • Full range uses 0 to 255 in 8-bit
  • Standard levels defined for HD in ITU-R BT.709
  • Common error range mismatches between cameras, editors and players

Why it matters

Why it matters: Video delivered at the wrong range looks washed out or crushed, and broadcasters reject files with illegal levels.

Best practice

  • Check the delivery specification for range requirements
  • Keep levels within limits on scopes
  • Confirm how editing software interprets range
  • Use a broadcast-safe check before export
  • Test playback on target devices
What to do and what to avoid with legal range and broadcast-safe levels, side by side
Good practice against the usual mistakes, from the sources listed below.

Common pitfalls

Watch out for:

  • Mixing full and legal range sources without conversion
  • Exporting without checking levels
  • Relying on an uncalibrated computer monitor
  • Clipping highlights to force levels

When to call in a specialist

Bottom line Bring in help when video looks washed out after export, or when broadcast deliveries are rejected.

Where this comes from

The figures and practices above come from the sources listed.

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Tomas Lindqvist

Picture and sound. Writes about editing, color, loudness and delivery specifications, including the ones that get deliveries rejected.

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