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Video Editing & Production

Drop-Frame Timecode: The Decisions That Matter

A timecode counting method for 29.97 frames per second video that keeps timecode aligned with real clock time.

Tomas Lindqvist Post-Production Lead 2 min read 25 views
Drop-Frame Timecode: The Decisions That Matter

Why does it matter?

Using the wrong timecode type causes program lengths to drift from real time, which matters for broadcast delivery.

What are the numbers?

  • Frame rate NTSC-based video runs at 29.97 frames per second
  • Method frame numbers 00 and 01 are skipped each minute except every tenth minute
  • No frames lost only frame numbers are skipped, not images
  • Notation drop-frame timecode is often shown with semicolons

What should I do?

  1. Confirm timecode type in delivery specs
  2. Keep one timecode type per project
  3. Check program length against clock time
  4. Label files with timecode settings
  5. Test conforms with the delivery format
What to do and what to avoid with drop-frame timecode, side by side
Good practice against the usual mistakes, from the sources listed below.

What should I avoid?

Avoid:

  • Mixing drop-frame and non-drop-frame
  • Assuming timecode matches clock time
  • Ignoring broadcast specifications
  • Changing timecode types mid-project

When should I get help?

Short answer Bring in help when delivering to US broadcasters.

Where this comes from

  • SMPTE — ST 12-1 Time and Control Code
  • Avid — Media Composer User Guide

The figures and practices above come from the sources listed.

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Tomas Lindqvist

Picture and sound. Writes about editing, color, loudness and delivery specifications, including the ones that get deliveries rejected.

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