Automated Spill Suppression
Removing the colored light that bounces from the screen onto the subject's skin, hair and clothing, applied consistently across shots.
- Price
- From $1.50 per frame
- Free trial
- A 30-second cut from your own footage, no card, no commitment.
What to send us
Keyed footage or raw green or blue screen shots, examples of skin and wardrobe color that must stay accurate, and whether spill appears on hair, shoulders or reflective objects.
What you get back
Footage with green or blue spill removed consistently across shots, while skin tones, wardrobe and reflective objects keep their natural color.
What to check before you sign off
Look at hair edges, shoulders and glasses. Spill suppression often leaves gray or magenta edges when it removes too much color.
Part of Chroma Keying & Removal. How the work runs and what it costs across the family are set out in the video editing & production guide.
Rates and common questions for this work are on the Video Editing & Production page.
How we approach this work
Articles from the journal, written by the people who do this work. More on this subject →
Video Editing Workflow: The Decisions That Matter
Learn the video editing workflow stages that matter, from verified ingest and proxies to rough cut, picture lock, finishing and clean delivery.
Video Editing & ProductionA Practical Guide to Audio Loudness Standards for Video
A phased playbook for hitting audio loudness targets in video: LUFS, true peak, loudness range, and separate masters for broadcast, streaming and social.
Video Editing & ProductionColor Grading, Done Properly
Six common color grading myths, from LUT-first workflows to uncalibrated screens and unchecked SDR versions, and the practice that replaces each one.
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Try it free: a 30-second cut from your own footage.
No card and no commitment. If the standard is not what you need, you have lost nothing.